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Customers

Teams that stopped
waiting on files.

From four-person documentary crews to 80-seat post houses, here's how teams use Mediasyncstudios to cut, grade and deliver from wherever they are.

1.4 daysfaster average delivery
92%less time spent syncing
0drives shipped
A documentary crew reviewing footage on a laptop inside a production van at dusk

Case studies

Three teams,
three workflows.

A colorist grading a film frame in a dark post-production suite

Post house · 80 seats · Studio plan

Northframe moved four edit floors onto one drive.

Northframe ran three NAS systems across two buildings and still couriered drives to freelancers by courier. Every Monday started with a sync window that could run past lunch.

They mounted one Mediasyncstudios workspace on every bay, turned on shared cache per floor, and connected their own S3 bucket so archive costs stayed on their bill.

  • -11 hrsweekly sync time per editor
  • 3 → 1storage systems
  • +1 dayearlier first cuts
“We used to lose Mondays to syncing. Now the edit starts the minute footage lands.”Dana Whitlock, Head of Post
An editor working at night from a home studio with an editing timeline on an ultrawide monitor

Creative agency · distributed team · Studio plan

Lumen & Co. edits across three time zones without proxies.

Lumen's editor works from Austin, their colorist from Lisbon, and their producers from wherever the shoot is. Proxy round-trips and relinking were eating into every turnaround.

With project locking and smart cache, each artist opens the same Premiere and Resolve projects against the same full-res media, so nothing gets relinked between handoffs.

  • 0proxy round-trips
  • 3cities, one timeline
  • 48 hrsshoot-to-client turnaround
“Our colorist is in Lisbon, our editor is in Austin. It feels like they share a desk.”Marcus Ojo, Executive Producer
A production crew on set

Documentary · 6-person crew · Creator plan

Rivet uploads from set and starts cutting the same night.

Rivet shoots on location for weeks at a time. Shuttling drives home meant the editor started days behind the camera.

Now the DIT uploads each card from set over hotel or bonded cellular connections, and the editor back home scrubs the dailies as soon as they land.

  • Same nightdailies review
  • -$2.1kmonthly drive & courier spend
  • 14 TBstreamed per project
“No more drives in the mail. My team finally spends its time on the creative work.”Priya Raman, Production Manager

Who uses it

Built for every
kind of production.

01

Post houses

One workspace across bays, floors and freelancers, with locking so no two editors overwrite a project.

02

Agencies

Bring clients into review without exports, and keep every campaign's media in one place.

03

Documentary

Upload from the field and start the edit while the crew is still shooting.

04

Brands & in-house

Keep footage in a bucket your IT team controls, with SSO and audit logs.

Your team
could be next.

Try Mediasyncstudios on a live project for 14 days, or book a walkthrough with a workflow specialist.

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Plan